| A
Webliography Project compiled and
briefly annotated with access addresses by
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| Dr. Judith
A. Coe
singer, songwriter, composer, synthesist |
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CYBERSPACE
MUSIC RESOURCES:
Irish Music: The following resources (bibliographic and webliographic) were compiled and annotated as part of student research and creative technology work for a CU-Denver spring 2003 music module on Irish music, PMUS 3820. Resources are arranged by Project Unit Topic title, and student work is credited. Additional real and cyber resources are compiled by instructor. Irish Political Folk Music: Modern Troubles and Rebellions
The Pogues
Bland, Elizabeth L. “Eight Lads Putting on Airs: The Pogues shake up Irish folk tunes to make blistering rock.” Time 21 Aug. 1989. This article begins with how the band started, the types of songs they play, and their musical styles. It contains a brief description of the mixture of Irish traditional folk music and punk rock that the Pogues mix to create their songs. [Jessica Peistrup]
Duncan, Amy. “American Rockers Don’t Mind the Mixture.” The Christian Science Monitor 19 Nov. 1986: Arts and Leisure, Music 31. This article defines and describes the type of music The Pogues play. It states that their music is folk-punk and describes the traditional Irish instrumentation and rhythms that they use. [Jessica Peistrup]
Russell, Lisa. “Rock’s Pogues Rise Even Further After Their Fall From Grace.” People 8 Aug. 1988. This articles talks about how the band started and how successful they became. It goes into depth of the lead singer, Shane MacGowen’s childhood, how he got into music, and what inspires him to follow his Irish roots. It briefly talks about the political statements they make in their music. [Jessica Peistrup]
Scanlon, Ann. The Pogues: The Lost Decade. London: Omnibus Press, 1988. This book is a complete biography of The Pogues up until 1988. It goes into depth how each member of the band started in music and how they got into the band. It goes into great detail every moment, every tour, and almost every show that they played. It describes the beginning of the band, how hard it was to start, how they broke through, and follows them through the rough times they had together. [Jessica Peistrup]
Sullivan, Jim. “The Irish Pop In.” The Boston Globe 9 Jun 1988.
This article is about influential bands
that have come out of Ireland. They focus about half of the article on the
Pogues, and in this section they talk mainly about their musical style and the
political messages in their music. They also pick out one song and describe
it’s relationship the Irish society. [Jessica Peistrup]
RollingStone.com – The Pogues
Yahoo! Music – The Pogues Biography
MSN Entertainment – Music: The Pogues
Paddy Rolling Stone: The Official Shane
MacGowan Website
A Rusty Tin Can and an Old Hurley Ball
The Parting Glass
Jers Pogues Pub
Pogue Mahone: The Essential Pogues
Irish Political Folk Music
IrishinAmerica.net
http://www.usirish.uklinux.net/html/article.php?sid=67
Pogues Divis
http://www.popex.com/artists/POGU/divis.html
BBC – Radio 2
http://www.bbc.co.uk/radio2/folk/artist_database/pages/poguesthe.shtml
The Pogues
http://www.kjq.com/music/artists/pogues.asp
Shane MacGowan
http://www.shanemacgowan.de
The Pogues Biography
http://www.bcpl.net/~lpettijo/3rdpage.html
The Pogues: Press Ganged
http://www.pressganged.i12.com
Irish Soul Stew: The Pogues
http://www.furious.com/perfect/pogues.html
Decade
http://hometown.aol.com/skovar1/myhomepage/decade/decade.html
The Pogues: Hell’s Ditch
http://students.washington.edu/joemcg/pogueshd.html
Bibliography: Doyle, Geraldine. Boolavougue 1798-1998. Ireland: Tobin Printers, 1998. This book is a compilation of articles relating to the United Irishmen’s rebellion of 1798 and the commemoration of that event down through the years. [Tony Taylor]
Juslin, Patrik and Sloboda, John. Music And Emotion. Oxford: Oxford University Press, 2001. [ This book goes into great depth concerning the relationship between music and emotions. A multitude of perspectives are taken from many different disciplines. A look at cultural and social viewpoints through music is also examined. [Tony Taylor]
O’hAllmhurain, Gearoid. A Pocket History of Irish Traditional Music. Ireland: The O’Brien Press Ltd., 1998. This book traces the history and development from hypnotic harp music of early Ireland to the Lord of the Dance and Riverdance phenomena of the 1990’s. It also focuses the great Famine Diaspora of the 19th century and the impact it had on the rest of the world. [Tony Taylor]
O’Neill, Francis. Irish Folk Music, A Fascinating Hobby. Rpt. United Kingdom: EP Publishing Ltd., 1977. This book explains influences and experiences of Irish folk music to include the history of airs and dance tunes. Also covered are illustrations of how time, taste and development have varied Irish folk music. [Tony Taylor]
Zimmermann, Georges. Songs of Irish Rebellion, Irish Political Street Ballads and Rebel Songs, 1780-1900. Ireland: Four Court Press2002. This book examines the evolution and variety of Irish party songs to include their sources and functions. Also examined are the interactions between music and language, the verbal components. [Tony Taylor]
O’Sullivan, Donal Joseph. Songs of the Irish: an anthology of Irish folk music and poetry with English verse translations. Dublin: Mercier Press, 1981. [Josh Holloran] This is a compiled and edited anthology of Irish folk music. This should be a very helpful tool in allowing one to gain a sense for the recurring political themes running throughout historical Irish folk music. Each of the 15 categories of songs is provided with prefatory notes. [Josh Holloran]
Moylan, Terry. The age of revolution: 1776-1815 in the Irish song tradition. Dublin: Lilliput Press, 2000. This book references revolutionary ballads and songs that provide insight into the history and struggles of Ireland. I believe it could be very useful in revealing how Irish music has captured a nation’s struggle, rebellion and freedom. This is a quality source, containing bibliographical references, an index, and songs in English and Irish. [Josh Holloran]
Woods, Peter. The heartbeat of Irish music. Niwot, Colo. : Roberts Rinehart, 1997. I found this resource under a subject search in the Auraria Library Catalog. The subject was “Folk dance music – Ireland – History and criticism”. I’m hoping this book will lend valuable information on the historical recurrent themes in Irish folk songs. It may be a bit opinionated in its criticism of the music but this could be useful in gaining critical insight into the subject matter and its effect on critics. [Josh Holloran]
Croker, Thomas Crofton. The historical songs of Ireland [microform]: illustrative of the revolutionary struggle between James II and William III. London: Printed for the Percy Society by C. Richards, 1841. This microfiche zones in on a particular struggle in Irish history between James II and William III. This could be useful in assessing the effects of one historical struggle and its effect on Irish song lyric. [Josh Holloran]
Zimmermann, Georges Denis. Songs of Irish rebellion: Irish political street ballads and rebel songs, 1780-1900. Dublin: Four Courts, 2002. As one of the Four Courts history classics, this title shows promise of providing a greater glimpse into the politically centered message found in the Irish street ballads. This could be very useful in getting a better sense for Irish history between the years of 1780-1900 and noting its effects on Irish music. [Josh Holloran]
Webliography:
A History of Ireland In Song http://www.linuxlots.com/~dunne/ireland/
This site goes into great depth
concerning the origins of Irish rebellion songs. The site is structured in a
user-friendly fashion, especially through the use of the table of contents. In
addition, the site is linked to other sites offering additional Irish music
resources. [Tony Taylor] http://www.cs.hut.fi/~zaphod/irish/
This site is doesn’t contain
any frills, but has an excellent source of Irish folk lyrics. The collection
consists of 325 songs. The song list is sorted by titles, however there is an
option that allows you to search by words from the song. [Tony Taylor] http://members.aol.com/skyvoyagr/irishmusic.htm
This site details the history
and music of Ireland. It also includes access to a number of songs available in
MIDI format. [Tony Taylor] http://www.acronet.net/~robokopp/irish.html
This site contains line airs, ballads,
ditties, folksongs, jigs, and reels of Ireland. The site is easy to navigate and
all items are sorted by first line of the lyric and title.
[Tony
Taylor] http://www.grainger.de/music/irish.html
This site is a general source for Irish
music, but contains many links to other sites on the subject of Irish folk
music. [Tony
Taylor]
This site has a plethora of Irish folk song
lyrics suited for guitar chords. The site is also linked to other Irish music
sources. [Tony
Taylor] http://perso.club-internet.fr/pybertra/ceol/homepage.htm
This site primarily focuses on early ancient
airs that derive from the harp. In addition, the history of the harp is
explained in great detail. [Tony
Taylor] http://www.standingstones.com/tmirel.html
This site contains a collection
of pages describing the history of traditional music in Ireland. This site is a
good source for the beginner who is interested in the essentials. [Tony Taylor] http://alan-ng.net/irish/learning/
This site is unique in the
sense that it allows the visitor to gain vital tips on what to listen to when
learning to play Irish traditional music with an instrument, in particular
techniques concerning articulation. [Tony Taylor] This site serves as an n extensive archive and reference source for traditional song, music, and dance of Ireland. [Tony Taylor]
Irish Definitely This is quite a well-organized site with an array of music, stories, and political commentary of Irish interest. The music can be downloaded and is of a traditional variety. There are also some old Irish myths and legends here and a discussion of seasonal customs. The author of this site also expounds some opinions about the northern conflict and the Orange Order. [Tony Taylor]
32 County Irish Songbook http://www.twics.com/~takakuwa/search/search.html Contained in this site are the details of a songbook that has one song from each of the 32 counties. Also included is a short informative on each county and a map of Ireland. [Tony Taylor]
National 1798 Boolavogue Centre http://www.io/.ie/~98com/english.htm This site offers in depth coverage of the battle at Boolavogue. The site is user friendly and provides descriptions of the event listing, leaders, weaponry, and most importantly the ballads and poems inspired from that particular battle. [Tony Taylor]
The Uilleann Pipes This site focuses on the Uilleann bagpipe, the preferred instrument for most kinds of Irish music. The site explains in detail the history of the Uilleann bagpipe as well provide an illustration of the instrument. The site is very informative in terms of understanding the origins of the Uilleann bagpipe. [Tony Taylor]
Folk Music Home Page http://www.jg.org/folk/folkhome.html This site contains an explosion of information pertaining to Irish folk music. It primarily provides an organized set of pointers to other links that include folk music organizations, artists, and countless other Irish topics that relate to music. [Tony Taylor]
The Gaelic Song Archive http://www.webcom.com/~liam/gae/song/song.html This site contains the first ever-Irish language song text. The styles for most of the songs in the archives are sean-nos. Also included within the site is an extensive explanation of how notated ABC format works. [Tony Taylor]
Comhaltas Ceoltoriri Eireann This site promotes the music, culture and arts of Ireland. The site is structured in a manner that is user friendly making it easy to navigate. The site also contains MIDI format access to many folk songs. In addition, there are video streamlines offering a selection of clips from concerts. [Tony Taylor]
Songs of 1798 Ireland http://www.iol.ie/~fagan/1798/songbook.htm This site contains a lengthy list of rebellion songs. The site allows you to select the song of your choice, once selected the lyrics are presented along with a brief description of the songs particular origin. [Tony Taylor]
Cantaria http://www.chivalry.com/cantaria/ This site offers a library of Bardic folk songs from Ireland. Cantaria is unique among lyric web sites because almost every song in the archives is accompanied with sound clips of the particular song being performed. 160 songs are in the catalog, which are alphabetically indexed. This is a great source and easy to navigate. [Tony Taylor]
The Minstrel Boy http://www.irishclans.net/ogallagher/minstrelboy.htm This site details the history behind the song Minstrel Boy. In addition, the site contains information about the writer of the song Thomas Moore. The site also contains the total listings of music written by Thomas Moore. [Tony Taylor]
WashingtonPost.com: N. Ireland Special Report
Having been written by a Washington Post staff writer, this online article gives a reliable account of Ireland’s troubled history which will be very useful in explaining the nature of so many Irish traditional folk songs. This article looks at the history of Irish-English relations from first contact to modern day. [Josh Holloran]
The war in Ireland index This Capitol Hill Geocities page offers a good look at the modern troubles and rebellions in Ireland. It contains various links throughout the article to other reliable articles focusing on a single event in Irish History (i.e. the potato famine, the Civil Rights Movement, etc . . .). This will give me an even closer look at the inspiration behind the songs. [Josh Holloran]
All Their Songs Were Sad This is an interesting article on the nature of Irish Folk lyric and it’s inspiration. This article will be very useful in addressing some of the key players in Irish Political Folk music and their unique motivations. [Josh Holloran]
Freedom: The Conflict in Ireland From the Sinn Féin Press Office, 44 Parnell Square, Dublin. Sinn Fein is the political arm of the IRA, and in this article, they analyze the troubles and focus on modern problems and Irish heroes. This is yet another article providing great background on the lyrical focus and inspiration behind Irish Folk songs. [Josh Holloran]
Come Out Ye Black and Tans This is a page containing lyrics to a famous Irish folk song by the Wolfetones called “Come Out Ye Black and Tans”. Black and Tans were British criminals employed by the British government as "security forces" in Ireland. Not surprisingly, the criminal Black and Tans, under the watchful eyes of the British government, treated the Irish brutally. This will be a great example of an Irish Political Folk song. [Josh Holloran]
Streets of Sorrow/Birmingham Six Here is a page with another fine example of an Irish Political Folk song by the Pogues, entitled, “Streets of Sorrow”. This speaks about British treatment of the Irish, both in Ireland and in England (on Birmingham and Guildford street). This will be helpful in providing another strong example of a politically centered lyric. [Josh Holloran]
Remembering Bloody Sunday This is a recollection of Bloody Sunday in Irish history with helpful links to Irish newspapers that covered the story. I thought this might be another helpful history lesson in relating the music of the culture to the historical events. [Josh Holloran]
A Nation Once Again Here is another song lyric, written by the Wolfetones. This is one that you gave out in class. I find it to be a very powerful and embodying voice with regards to the issues many political writers were addressing at the time. [Josh Holloran]
What is Irish Traditional Music? This is a great site explaining the widely agreed upon characteristics of Irish Traditional music. Since many of the early political folk songs also have these attributes I thought it would be helpful in describing the music itself. [Josh Holloran]
The Seamas Heany Page Alongside many of the political folk songs of Ireland, there were a number of poets who said their two bits about the relevant issues of the time. Among these was a man by the name of Seamas Heany. This page is a look at some of his poetry and the message behind it. I thought this might be a way to see that music was not the only form of art that expressed desperation during “the troubles”. [Josh Holloran] Irish Irish
Folk Music Back to Irish Music. |
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Dr.
Judith A. Coe
Music & Entertainment Industry Studies Department Arts Building 288H Campus Box 162, P.O. Box 173364 Denver, Co 80217-3364 Phone: 303-556-6013 Fax: 303-556-2335 |
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| Please e-mail suggestions for new category inclusions and correlative URL's, corrections for and/or additions to existing entries, and cybermentoring queries regarding any aspect of cyberspace research and music. Comments and suggestions are most appreciated. | |
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last modified 12/16/03 |